Irina Björklund in American, The (2010)
lattara was written on November 28, 2010

Good look at her behind

Within a few moments of the film opening, we see Irina stretched out on a bed face down with her shapely behind revealed in good light.

Violante Placido in American, The (2010)
lattara was written on November 28, 2010

Multiple nude scenes

Violante plays a hooker that George Clooney's character falls for. In her first scene, she enters a room in a brothel which is bathed in red light wearing lingerie. She begins to undress and the scene cuts so she is off-screen being watched by Clooney, but a view of her rear is visible in a mirror on the right of the screen as she removes bra and panties. She then walks back into shot showing off her lovely C-cup breasts and a trim tuft of pubic hair before embracing Clooney as the scene ends. Brightly lit, albeit tinged in red.

The second nude scene is a sex scene again in the red-lit brothel room. The camera is at bed level and shows Violante nude from the waist up. Excellent views of her breasts as Clooney moves down her body, first nuzzling the breasts and then disappearing below her waist as she writhes orgasmically. The scene cuts to the post-coital moments with Violante sitting up in bed, a sheet covering part of her lower body but leaving her breasts exposed, while she conducts a longish conversation with Clooney.

The final scene is outdoors in daylight by a river. Violante is wearing a short clingy dress from which it is already clear that she is braless beneath. With her back to the viewer she pulls off the dress to go skinny dipping. Her bum can be seen through semi-transparent panties. She wades into the water and turns to reveal her breasts and, as she comes out of the water again her dark bush can be seen as the wet panties are now translucent. She lies on her front still naked except for the panties as a scene plays out between her and Clooney during which she has cause to flip over onto her back giving another excellent view of her breasts.

Greta Gerwig in Greenberg (2010)
lattara was written on June 15, 2010

Two topless scenes

Early in the movie Greta gets out of bed after a one night stand. The camera cuts to a medium shot of her sitting naked on the side of the bed with her breasts on show (behind and bush not visible due to the position she's in). This lasts a few seconds in dim light. In her first sexual encounter with the Ben Stiller character her top and bra are pushed up to reveal her smallish breasts as she lays back on the bed and he begins an abortive attempt at oral sex between her legs (no lower nudity visible). Scene is well lit and the nudity is for a decent length of time.

Tamsin Egerton in 4.3.2.1 (2010)
lattara was written on June 8, 2010

Mainly side-on nudity

The very leggy Tamsin is fully nude in a sex scene but mostly viewed side on with all the most interesting areas hidden by her partner's body or the bed. Her buttocks are briefly seen while she and partner are still standing up and there may be a flash of nipple but I viewed this in the cinema and the editing was very swift. The actual scene lasts less than a minute but the lighting is very good. Before and after the nudity there are good looks at Tamsin in skimpy bra and panties.

Shanika Warren-Markland in 4.3.2.1 (2010)
lattara was written on June 8, 2010

Brief nudity in lesbian sex scene

Shanika is quite curvy and buxom and spends quite a lot of screen time in her undies. She has a lesbian sex scene with Susannah Fielding but the scene, though brightly lit is cut very quickly and intercut with a dance floor scene. Although Shanika is naked her nudity is mainly masked by Susannah's body but I believe I spied some behind in the mix. One for DVD re-viewing.

Susannah Fielding in 4.3.2.1 (2010)
lattara was written on June 8, 2010

Bum and partial frontal in lesbian sex scene

Susannah strips down to her underwear in front of Shanika Warren-Markland and then proceeds to take off her panties. We see a rear view showing off her bottom and a front view which reveals her shaven pubic region. The frame stops a little way short of revealing her most intimate area, but I'd add as a caveat that the cinema I saw this film in appeared to have incorrectly matted the film so the very bottom of the picture was missing (on the basis that on-screen titles at the bottom of the screen in an earlier scene were abruptly cut off). However, she is standing with her legs close together so even correctly screened I'd hazard nothing too intimate was revealed. She then takes her bra off but this is only scene from the rear. The sec scene with Shanika follows as described under Shanika's nudity though the scene seems to reveal a little more of Susannah - mainly another view of her bottom. All occurs in good lighting.

Gemma Arteton in Disappearance of Alice Creed, The (2009)
lattara was written on May 4, 2010

Stripped naked and further topless scene

Soon after the beginning of this low-budget thriller, Gemma is tied by her wrists and ankles face up on a bed and her clothes are cut off her. Her head is covered by a hood for some but not all of the scene. The scene is shot variously from overhead and from the side in good light but with a lot of moderately fast editing. All the same there are decent views of her pale, mid-sized, pink-nippled breasts as she lies on her back, plus a side view of her naked body which just avoids showing her pubic area. She is also wearing a ball-gag which might interest some viewers!

The kidnappers take pictures of her for ransom purposes and in a later scene we see one of the kidnappers looking at these stills on a laptop, one of which is a good view of Gemma, with her face and breasts in medium-close shot.

Later in the film (trying to avoid spoilers) Gemma begins to make love with a man and her top is removed to give reasonable views of her breasts, first underneath the man and then on top. Lighting is good and the editing slower than the previous scene. The love-making is interrupted before Gemma gets fully naked but as she stands and puts her top back on there is an excellent well-lit view front-on of her full breasts for several seconds.

Gemma Arterton in Disappearance of Alice Creed, The (2009)
lattara was written on May 4, 2010

Stripped naked and further topless scene (re-input under correctly spelt name!)

Soon after the beginning of this low-budget thriller, Gemma is tied by her wrists and ankles face up on a bed and her clothes are cut off her. Her head is covered by a hood for some but not all of the scene. The scene is shot variously from overhead and from the side in good light but with a lot of moderately fast editing. All the same there are decent views of her pale, mid-sized, pink-nippled breasts as she lies on her back, plus a side view of her naked body which just avoids showing her pubic area. She is also wearing a ball-gag which might interest some viewers!

The kidnappers take pictures of her for ransom purposes and in a later scene we see one of the kidnappers looking at these stills on a laptop, one of which is a good view of Gemma, with her face and breasts in medium-close shot.

Later in the film (trying to avoid spoilers) Gemma begins to make love with a man and her top is removed to give reasonable views of her breasts, first underneath the man and then on top. Lighting is good and the editing slower than the previous scene. The love-making is interrupted before Gemma gets fully naked but as she stands and puts her top back on there is an excellent well-lit view front-on of her full breasts for several seconds.

Amanda Seyfried in Chloe (2009)
lattara was written on March 8, 2010

Multiple brief reveals of big natural breasts

The movie opens with Amanda donning black lingerie in front of a mirror in which her reflection can be partly seen. There's a brief view of one full pink-nippled breast as she puts on her bra.

There's a long wait then for the next Amanda nudity which occurs as Julianne Moore's character views her through an open bathroom doorway in a hotel room. Amanda walks past the doorway and there are a couple of seconds where we see her nude full length from the side in medium shot with a well-lit view of her round behind and a quick look at her breasts. As the scene continues there are a couple of side-boob shots as she dresses but no more nipple nudity.

Shortly afterwards there is a lesbian scene with Julianne Moore. Julianne unbuttons Amanda's blouse to reveal her left breast (fairly briefly and partly shadowed) and the scene then cuts to the two actresses in a naked clinch on the bed with Amanda on top and doing most of the work. Reasonably well lit. There is side-boob visible - Amanda has a lot of boob to go round - but her nipples are hidden as her body is pressed against Julianne's. There's also a certain amount of butt on display.

Finally there's a hetero sex scene in which Amanda is on top. This is shot fairly close-up in decent lighting but from slightly behind and above the action. Consequently, there's a really good side-boob view which gives you an idea of the impressive size and shape of Amanda's breasts, but - at least for a one-time theatrical viewing - her nipples were just out of view. Shortly after the sex scene Amanda is dressing in the foreground of the shot while the camera is focussed on Julianne (fully-clothed!) in the background. Consequently, Amanda is not quite in focus, but there is a good face-on well-lit view of her breasts for a couple of seconds as she puts on a robe.

Amanda also has a couple of additional non-nude but sexy scenes in the movie.

Julianne Moore in Chloe (2009)
lattara was written on March 8, 2010

Breasts in shower and lesbian scene

Julianne's perky white breasts can be seen in two scenes. In the first she takes a shower whilst imagining her husband and Amanada Seyfried's character in a (clothed) sexual encounter. The shower scene is intercut with the scene she is imagining. We see her breasts in moderate close-up and good light a couple of times as the scene plays out.


The second breast exposure is in the lesbian sex scene with Amanda. Julianne is on the bottom of a nude clinch as Amanda works her hand between Julianne's legs. Both appear to be fully naked but the onlyy explicit nudity is a good look at Julianne's breasts again - good light, moderate close-up.

Eva Green in Cracks (2009)
lattara was written on December 7, 2009

Late-night skinny dipping

Eva plays a teacher who leads her teenage pupils in a spot of late-night semi-naked swimming. Eva shucks off her nightdress as she walks along a dock giving a side view of breasts and the top of her bottom. The view lasts a few seconds before she dives into the water. Nipples can be seen and the scene is moonlit so visibility is good. There's quite a long scene then in the water, including some underwater shots of Eva and her pupils but they're shot from below so the bodies are silhouetted and little was visible on a theatrical viewing.

Juno Temple in Cracks (2009)
lattara was written on December 7, 2009

Late-night skinny dipping

Juno plays the head girl who follows Eva Green's lead, stripping off on the dock and diving into the water. The close up shot only lasts a second revealing side boob but no real nipple nudity (at least as could be discerned in a single cinematic viewing). There's also a very long shot - too far away for any clear nudity to be seen. Juno's also to be seen in the long scene in the water, including some underwater shots but they're shot from below so the bodies are silhouetted and little was visible.

María Valverde in Cracks (2009)
lattara was written on December 7, 2009

Late-night skinny dipping

María follows Eva Green's lead, stripping off on the dock and diving into the water. The close up shot is a little longer than Juno Temple's with side boob and I believe a glimpse of nipple. There's also a very long shot - too far away for any clear nudity to be seen. María's also to be seen in the long scene in the water, including some underwater shots but they're shot from below so the bodies are silhouetted and little was visible.

Keira Knightley in Duchess, The (2008)
lattara was written on September 11, 2008

Brief breast exposure

Keira briefly shows her small breasts in a scene set on her character's wedding night. Her husband undresses her from her period clothing and then she moves to the bed while he undresses. There's no overt nudity while she's being undressed, but as she sits on the bed covering herself shyly with her arms she doesn't do a very good job of the covering and her nipples can be seen in reasonable if subdued lighting for a few seconds.

Patricia Clarkson in Elegy (2008)
lattara was written on August 13, 2008

Brief nudity - possibly doubled for part

Patricia has two possible nude scenes. In the first she is riding Ben Kingsley. The first image is a dimly lit shot from behind - face not visible - showing the upper part of her buttocks. Shortly afterwards there is a shadowy close-up of bodies in motion where breasts can be seen. Once the sex scene is over there is a fairly long post-coital scene. It starts with Patricia on her front with some "side boob" but for the rest of the scene she is careful to keep covered which inclines me to suspect a body double for the sex scene.

Later in the movie, Patricia is parading for Kingsley in good light, stripping down to, then out of, black underwear. She removes her bra with her back to the camera - face visible this time - and then turns towards the viewer. The camera cuts just as her breast comes into view but there appeared to be a frame or two of small pendulous breast and nipple.

Penélope Cruz in Elegy (2008)
lattara was written on August 13, 2008

Multiple long breast views and a spot of bottom too

Penelope has 4 nude scenes in this drama as the younger lover of an older man. The first is a sex scene with Ben Kingsley, a little shadowy, where Penelope's breasts get a decent airing, at first mainly concealed by his body but later revealed - albeit in mediocre lighting - as he moves down her body.

The second follows more or less immediately after, a post-coital scene where Penelope lies back in bed propped up somewhat on a pillow with her breasts on full display as Kingsley compliments, strokes and kisses them. Brightly lit and goes on for a good while.

The third scene follows after another dimly lit sex scene where Peneope's nudity is blocked by her co-star's body. Penelope is lying on her front, naked except for a pair of high heels, watching Kingsley play piano. At first only her top half is on show - brightly lit again - and her breasts are hidden by her position with only the side of a breast visble. However, the camera pans slowly across her body to reveal her naked bottom and the aforementioned shoes.

The final scene has Penelope being photographed topless by Kingsley (no context to avoid plot spoilers - if anyone here cares about that!). She sits with her top half naked on a sofa but with a cushion hiding her breasts. She slowly and shyly moves it to one side to reveal her fine brown-nippled breasts before placing her arms behind her head apparently in imitation of a nude painting by Goya that plays a role in the story. The scene is brightly lit and lasts more than long enough for viewers to get a very good look at Penelope's breasts.

Sian Breckin in Donkey Punch (2008)
lattara was written on July 22, 2008

Full frontal in three-way

Curvy leggy blonde Brit Sian takes part in a three-way sex session which is brought to an abrupt close by the titular Donkey Punch. After quite a long build-up in which Sian and co-star Jaime Winstone fool about - including a girl-on-girl kiss - in skimpy bikinis, the two women pair off. Sian is stripped from her bikini by one guy to reveal full breasts before a missionary position sex scene begins while another guy videos the action. The screen image switches between normal film stock and a more grainy - but still clear - "handycam image". Lighting is good in both views. Sian's breasts are partly obscured by her partner's body but the view greatly improves when the 1st and 2nd guy switch places. Sian stands up and there are several full-frontal views of her apparently fully shaven pubis, though nothing obviously gynaecological as the views are always a little to one side or with a leg just covering the lower part of the pubic region. There's also a decent view of her bare bottom. Guy 2 then takes her from behind while Guy 1 videos and we get a number of good views of Sian on her hands and knees with lots of swinging breast exposure from the side and head-on. The scene intercuts with what Jaime Winstone is up to elsewhere in the same room.

As previously mentioned things end in a bad way and there are a couple of scenes later in the film where Sian is naked, dead and lying face down with more bum exposure.

Jaime Winstone in Donkey Punch (2008)
lattara was written on July 22, 2008

Breasts and bottom in sex scene

Petite brunette Jaime (daughter of screen hardman Ray) reveals her B cup breasts and tight behind in a sex scene that takes place at the same time as Sian Breckin's. There's a long tease with both girls in skimpy bikinis flirting with three guys and briefy making out with each other before Jaime pairs off with one of the guys. They get into the chair position and he peels off her bikini to reveal her pert breasts viewed from the side and later, viewed from behind, her buttocks. Jaime's scene is intercut with what's happening to Sian elsewhere in the same room and, like Sian's scene, she appears both on film stock and on the video being shot by a third guy. Jaime basically stays in the same sex position throughout the goings on so the exposure of her breasts and bum is much less than Sian's - quite a lot of blocking by her partner's body - and where it does occur, the lighting is a little subdued. Nonetheless some clear views are to be had.

Keira Knightley in Edge of Love, The (2008)
lattara was written on July 1, 2008

Brief breast reveal in sex scene

There are a couple of fairly brief reveals of Keira's A-cups in her sex scene with Cillian Murphy. Keira is on her back and there's good light and a decent viewing angle when her arms aren't in the way.

Julie Depardieu in Femmes de l'ombre, Les (2008)
lattara was written on July 1, 2008

Nudity against the Nazis

Julie is one of a group of agents in wartime France and along with Marie Gillain puts on a striptease show for a group of convalescing German soldiers as part of a plan to extract a British agent. (What a very French plan!) She and Marie strip down to black 1940s lingerie to distract the soldiers while other agents go about their business. When they remove their black bras there are smaller white peephole bras beneath and we get a good view of their nipples. Julie has smallish breasts and pink areolae. To end the act, Julie and Marie remove the peephole bras to give a short amount of full toplessness while they embrace.

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